Elizabeth Barsham (formerly painting as E.M. Christensen) is an award-winning artist working in Tasmania, Australia's island state.

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Elizabeth's uniquely imaginative oil paintings are an emotional expression of her ancestral connection to the landscape and its people. Often based on old family photographs, they feature mysterious figures against a backdrop of rugged mountains, impenetrable forest and crumbling buildings in an unsettling but hauntingly beautiful mixture of nostalgia, gothic romanticism and humour.

A descendant of the first convict settlers, she has also written several books and articles about Tasmanian family history and was the first Tasmanian to publish a book about a convict ancestor (Thomas Burbury, Pioneer of Tasmania by E.M. Christensen and W. Sinclair, Victoria, 1979).

Barsham does not dwell on lurid details of the colonial penal system but admires the determination and fortitude shown by pioneering men and women who endured terrible hardships in creating the townships, farms and industries enjoyed today. She is passionate about the need to explore and record what traces remain of their lives, while preserving both the built environment and the remaining forests and primaeval wilderness.

 

A poetic re-imagining of the Landscape

Excerpts from The Mercury Saturday Magazine, 14 Apr 2012 (Clyde Selby, Gallery Watch)

King Island, as this artist sees it, is not the home of cerulean blue seas, ozone-enriched pastoral panoramas, gourmet delicacies or scientific and technological innovations.
Rather it remains a place haunted by a past of shipwrecks, violence and ecological plunder that make it easily embraced into her general oeuvre.
Barsham's sense of the dramatic and the surreal [has] given her works a distinctively eccentric appearance.
Integral has been the way she fuses delicately hued folkloric fantasy or imaginings of her own with realism.
This series, however, sees the veneer of idealised nostalgia replaced with scenes that are not just suggestive of the unsavoury but decidedly more confrontational.
For example, giving a nasty-sounding echo of romanticised Victorian-era historicism, with its intrepid deeds of daring-do style, is Men of Business. In composition it could be Charles Stuart approaching Scotland to reclaim his rightful throne, excepting the boat does not transport a bonnie tartan-clad prince but leprous, cadaverous opportunists accompanied by their rapaciously lean dogs. Assuredly, the curious seals will soon be subjected to a "Massacre of the Innocents".
Cold comfort can be had from reflecting upon the fact the colonial-era visitors are the antithesis of compassionate individuals of today who valiantly endeavour to save beached whales and dolphins. Likewise, the Cries of Drowned Sailors is this artist's macabre way of showing how they feared the perils of the deep between Cape Otway and Cape Wickham.
A feral fiend out of feline hell, otherwise called Ship's Cat is in the graphic style of a Manga cartoon with waves similar to those in old Japanese watercolours.

King Island has been re-imagined with a metaphorically dark Gothicism that many will find closer to Poe than poetry.

current exhibition

KING ISLAND GOTHIC


paintings inspired by an Arts Tasmania Cultural Residency on King Island

Red Chapel Art
cnr Red Chapel Ave and Sandy Bay Rd, Sandy Bay, Tas 7005
opens Friday 13th April, 2012. Exhibition ends 4 May 2012

supported by
Tasmanian Government logo

ARTWORK
Residency and Exhibition at Tarraleah - Jan 2012
Recent paintings
2010 Solo Exhibition
Environment - Weld Echo exhibitions
People and Places
Landscape with Attitude
seriously weird paintings
Tasmanian Ironbark
The Berlin Collection
etchings
PAINTING TUITION
private tuition
LearnXpress (Adult Education)
Foreshore Art School
Colour Circle
WRITING AND PUBLICATIONS
Here be Dragons
Miss Barsham's Painting Book for Bewildered Beginners
Before They Built The Bridge
greeting cards

CAREER INFORMATION
JUST A TASMANIAN
Tasmanian Gothic on Facebook


WHAT IS TASMANIAN GOTHIC?
Mary Gray's album

OTHER RELATED WEBSITES
Senior Momentum
Weird Wild Art

All content on this website © E.M. Christensen     contact the artist:  barsham@tasmanian-gothic.com